“Bayonne, 1937”, this time. In the same old photo album which inspired my last post, Photomaton, I noticed a series of photos, obviously taken in the same settings, but dialoguing as well through a touching detail: the photographer’s shadow is visible on each one of them. The two friends photographed each other in the same spots. […]
Doubles – parce que j’aime les titres qui ont un sens en français comme en anglais, but also because this small gallery illustrates an old trope in self-portraiture: the reflection (here, a double reflection) in the mirror.